Tuesday, July 22, 2008

Surviving Brida


Reading about a quest for fulfilment has rarely been this predictable an experience for a Paulo Coelho reader. But there's always a room for exceptions. The author's latest book, Brida, delves on quintessential Coelho themes --- search for wisdom (read Soul mate), magic, failures and self introspection. The story is set in the eighties where a young Irish woman embarks on a journey, both physical and psychological, to find her Soul mate. In her endeavor, she seeks the help of a witch, Wicca and a 'wise man', Magus. To attain that everlasting wisdom she does not mind spending a night in the woods, even though it scares her to death. She "dances to the sound of the world" and wears each and every cloth in her wardrobe because "everything that contains energy should be in constant movement". Twenty one year-old Brida's journey might be a novel experience for her but not for a Coelho reader who has treaded on similar paths before as well (remember The Alchemist and The Witch of Portobello). However, there are moments of self introspection. For instance when Brida is advised to wear all the clothes in her wardrobe, she wonders "Perhaps Wicca had overstepped the bounds of her power. Perhaps she was trying to interfere in things she shouldn't." At this stage, the reader can't help but celebrate the protagonist's pragmatism, so what if it lasts only for some milliseconds.

Pitted against her is a witch, Wicca, who like Magus, sees 'the gift' in her and helps her 'find the Soulmate'. For the uninitiated, Wicca is also a term used to refer to a modern version of an old witchcraft religion. While Brida is still jostling between the ifs and the shoulds, Wicca, on the other hand is a complete believer. Magus comes across as more believable of all the characters. One gets acquainted to the genuinity in his very first meeting with Brida, when he realises 'he had met his Soul mate', but simultaneously wonders 'She's pretty. But I am twice her age." At yet another poignant stage in the narrative he realises his masculine needs are more important than the ones he has being a Teacher of the Tradition. And then there is a moment of realisation, "The Magus watched Brida lie down on the ground. He tried to concentrate only on her aura, but he was a man, and a man always looks at a woman's body."

You certainly can't miss those one -liners that form the core of all Coelho narratives. "We might know the how, where and when of being here, but the why will always be a question that remains unanswered." or "Gardeners always recognise each other, because they know that in the history of each plant lies the growth of the whole world."


The novel is pacy and just in case you feel too compelled, you can read it on a lazy weekend afternoon.

1 comment:

Ana said...

cool... but i was disappointed with this one somehow